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  • The Itch Glitch

    My fingers are itching.

    I just found out I can play a new character up to level 20 for free in WoW, and my inner gamer is screaming, mostly because I know if I buy a subscription, I won’t be able to stop. It’s a dangerous discovery, especially now, right in the middle of my dissertation.

    Long ago, I was a games tester and a photographer. That is how I met my special someone, during a lunch break. We talked about what games we played outside of work. At the time, the only game I played was Age of Empires.

    My identity as an online player began in 2006 with the username HoneyBunny (inspired by Bugs Bunny cartoons) when I started playing WoW. It eventually transformed into JazzySegfault when I bought an Xbox, a name I still use today in Age of Empires and Fortnite.

    However, I ran into a classic gaming dilemma in Overwatch. It felt a bit ridiculous to see “HoneyBunny” pop up on the kill feed every time I died, so I decided to sync my identity. But since “JazzySegfault” was one character too long for the limit in the Battle.net account settings, I had to drop a “z” to make it fit.
    Even the name Aistriana, from my books, evolved years ago from a Pandaren character. Before her, there were Ashlia, Aistri, Aisis(renamed Joséphine), and now Aisias.

    Now, the temptation is real. Do I focus on the “real-world” requirements of my master degree, or do I take a 20-level break in Azeroth?

    Therapy taught me about intentional movement, but I’m pretty sure my therapist/mentor didn’t mean “teleporting to a new realm” as a study break.

    If you want to see the actual “glitch” in the system (or just check if I’m actually studying or secretly grinding for XP), you can find my gaming footprint here: https://xboxgamertag.com/search/JazzySegfault

    Do you use gaming as a bridge to your kids’ world, or is it your secret escape? What are you currently playing together (or against each other)?

    Tell me I’m not the only one whose dissertation is being threatened by a game.

    The Fortnite Time Glitch

    Today, as I am playing Fortnite with my family, and I remember “The Fortnite Verification Incident” from the pandemic like it was yesterday.

    We were in Creative Mode: a full lobby of eight, including me, my partner, our two kids, and four of their classmates. As soon as we loaded in, the game split us into two squads of four for some 4v4 practice.

    After a few rounds, through the comms, we heard one of the other parents scolding his kid for “playing with strangers.”

    Our youngest tried to explain: “But these are my parents!”

    The parent didn’t believe him. He thought he was partying up with randoms and insisted he log off. It got so serious that we actually had to jump on a call to prove our identity before he was allowed to stay in the match with us.

    Then the next Monday, the online class was restless because of our “appearance.” We felt quite guilty for disrupting the teacher’s hard work, so we had to step in and apologize through a deal with the kids: we promised to play with them every Sunday, if they promised to stay quiet and let the teacher finish her lessons in peace.

    That “deal” ended up lasting throughout the entire pandemic. Every single Sunday, no matter how tired we were, we logged on to keep our end of the bargain. That’s why now I am very careful what promises I make to kids.

    It was a lesson for us, too. Being a “responsible adult” sometimes means fixing the digital chaos you accidentally started.

    Also we still have weekend play day with our kids.

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  • Today’s film: War Machine (2026)

    1st time watching.

    THE FILM MIND: The War After the War

    In a war zone, survival is a logic. Back at home, that same logic becomes a glitch.

    Watching War Machine, I found myself looking past the tactical manoeuvres and straight into the fractured psyche of the soldiers. The core theme that hit me was Survivor’s Guilt: that heavy, silent shadow that follows those who return when others didn’t.

    The Displacement Glitch

    What the film captures brilliantly is the “re-entry shock.” In a war zone, survival is a logic of its own. But back in the “real world,” that same logic becomes a burden. The hyper-vigilance, the inability to connect with mundane comforts, and the haunting question: “Why am I here while they are still there?”

    The Soft Spot & The Lens

    I’ll be honest, I have a massive soft spot for war films. Whether they are cinematic masterpieces or flawed attempts, I watch them all. My impartiality might be compromised by my respect for the weight of these stories, but War Machine feels different because it focuses on the internal scars rather than just the external fire.

    It’s a study of how trauma creates a “world within a world.” The soldier isn’t just back home, he is a ghost haunting his own living room, still searching for a perimeter to guard.

    A film that reminds us that bringing someone home from war is only half the journey. The real work begins in the silence that follows.

    If you have served, or if you have someone close who has experienced the reality of conflict: when you look at these characters, what do you see? Does the screen capture the truth of the “aftermath,” or is the most important part still lost in translation?

    A Personal Reflection

    It’s a pity when personal conduct influences the reception of an artistic work. War Machine addresses vital questions about the human psyche, and I hope the weight of its message isn’t lost amidst the current headlines surrounding the cast.

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  • The Dissertation Diaries Glitch: A Masterclass in Irony

    I am currently in a committed, toxic relationship with my dissertation.

    I’ve finished 2 chapters out of 4 of where the “scientific research” lives. You’d think I’m halfway there, but Chapter 3 is basically a digital cemetery where my brain cells go to die.

    To write these chapters, I have to digest 20 scientific articles and at least 5 heavy books, which I need to analyse and categorize from my own perspective while strictly maintaining the scientific facts. Reading a novel is a poetic journey; reading a scientific paper is like fingernails on a blackboard (the old ones where teachers used chalk) while someone screams the alphabet in Sumerian.

    I don’t just “read” an article. I have to haunt it. I re-read the same paragraph four times until the words lose all meaning and start looking like tiny, judgmental insects. I’m fighting my own mind for custody of a single coherent thought, and honestly? My mind is winning.

    I’m a psychologist. I understand how the brain works. And of course, because the universe loves a good joke, I chose to write about the psychopathology of burnout. Why? Because back in 2023, I lived it. I went through a burnout so severe it reshaped my world, and I chose this topic because I wanted to dismantle the monster that tried to undo me.

    So here I am, analysing the mechanics of exhaustion while my own nervous system is playing circus music in the background. I’m staring at data about burnout until I’ve practically become the case study again.

    I wanted to finish the research part of my paper by now; instead, I’m just waiting for Chapter 3 to apologize for existing.

    Whenever I catch myself staring into space, I’m not “reflecting.” I’m just checking if I’ve reached the “depersonalization” stage of my own thesis.

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  • Today’s film: Unicorn Store (2017)

    1st time watching.

    THE FILM MIND: Clipped Wings in a Neon Sanctuary

    Sometimes, our “world” isn’t a choice, it’s a construct created by those who raised us.

    What looks like a “weird as hell” movie about a glitter-obsessed adult is actually a subtle study of how family dynamics dictate our coping mechanisms. I’m genuinely surprised that a film like this got made. In a sea of predictable cinema, it’s a massive risk that left me thinking, “What the actually f*** is this saying?” Only to find it has layers deeper than I ever expected.

    The Glitter Wall vs. Reality

    Kit isn’t spoiled, she’s a product of extreme protection. Her parents, who work daily with traumatized youth, created a home sanctuary so kind that Kit missed the window for “hard” maturation. She stayed “stuck” in a world of unicorns because it was the only reality ever validated.

    Kit’s parents heal trauma for a living, but by over-shielding their own child from the “monsters” they see at work, they accidentally clipped her wings. Kit needs a unicorn store just to give herself permission to grow up on her own terms.

    “Stick in a Box” – Art as Non-Belonging

    Choosing to study a “stick in a box” is her cry for help. It’s the inability to translate her internal vision into a language the “normal” world accepts. She isn’t just looking for her place, she’s trying to force the world to accept the box she lived in.

    Kit is mature, but in an infantile style. Her imagination is an escape route. The film shows the moment reality hits the wall of magic, teaching her that you can be an adult without destroying your inner sanctuary, but she must learn to live outside of it, too.

    Ultimately, a film that makes you ask questions is a film that has achieved its purpose. It’s not about liking the story, it’s about the mental shift it forces you to experience.

    A Personal Reflection

    Honestly, considering I both those 20 books to a house that already has no room for them, maybe my unicorn is just made of paper and glue. We all have our glitter walls.

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  • Why this Blog even exists

    In our house, we aren’t “social media people.” We’ve seen where it’s gone lately, and we usually stay away. I use YouTube for actual useful information(and the occasional cat short, obviously), and Pinterest for finding worksheets and ideas for the kids I work with.

    But there’s a reason I’m here now, and it’s buried in a memory from a therapy session. I remember talking to my therapist(my friend and my mentor) about an essay I had to write. I had chosen a quote by Aristotle: “Humans are by nature social animals.

    I used to joke with her about it all the time. I remember one time I told her, “Then, why do I feel like a stray cat in a dark alley living next to a dumpster?” We would have these long, deep conversations about what it actually means to be “social.” She used to say that being a “social animaldoesn’t mean you have to be at a party. It means not feeling that you are alone.

    So, I made this blog. I want to show you the “glitch.” I want to show you that whether you smuggle books, struggle with the world, or use art and stories to sit with the dark, you are not alone.

    I’ve also reactivated my Instagram account and later linked it to Threads. But I’ll be honest, the first few days there were a glitch of their own. For nearly a week, my feed was a parade of indecent poses and noise that made me want to delete the app instantly. Then, slowly, the algorithm finally “learned” my heart.

    Now, my feed looks like home: it’s filled with artists, quiet writers, people rebuilding their lives after trauma, and an endless stream of cats that actually help my nervous system settle. I finally found my corner of the alley.

    I’m here because of that joke about Aristotle. And because we are social animals, after all, we just need to find the right pack.

    Credits:
    • Slide 1: Aristotle bust (Public Domain/Archives)
    • Slide 2: My stray-at-heart, Puffy
    • Slide 3: Cover of my 2026 desk calendar

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  • The 4 AM Secret is Finally Out

    It’s been over a week since I bought those 20 books, and my conscience finally won. Every night since that day, I’ve been waking up around 4 AM, unable to sleep because the secret was weighing on me. I spent those quiet hours reading, but the guilt was exhausting.

    So, I staged my confession: The Double Frappé Peace Offering.

    In the car, I handed over the drink with my best “innocent” face. The questions were rapid-fire:

    “How many this time?” and “Where are you going to nestle these new little soul-sparks?”

    I took a long sip of my drink.

    “I’ll keep them at the office! I’ll just bring one home at a time…”

    Then came the laugh.

    Are you wondering how I knew about your little quiet huddle?” came the reply.

    “You only wake up that early to work, and I heard you rustling through your nightstand every single night. I was just waiting for you to tell me.”

    My partner already knew.

    The dam finally broke. I finally showed my Instagram and my website. My partner already knew they existed, but I hadn’t been ready to actually show them yet. And honestly, I wasn’t ready for the weight of that encouragement yet. I needed to let this grow in the quiet for a bit, to make sure I was standing on my own feet before letting my partner in crime in.

    But as we drove, the conversation shifted. I said: “I want to build a little library at the entrance with three shelves: ‘Adopt Me,’ ‘Switch Me,’ and ‘Borrow Me.’“

    Right now, I share a workspace, so I can’t make changes yet. But I’ve decided: this will be my very first project when I have my own private practice.

    In the end, it wasn’t just about the books. It was about finally deciding to be unapologetically myself. And my partner is just happy I found my voice.

    These are my original sketches. I used a digital tool, created by my partner in crime, to finish my new Quietling, acting as a creative prosthesis. For me, this process is a form of healing, not artistic performance.

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  • Today’s film: The Menu (2022)

    2nd time watching.

    Some films aren’t really about the plot.
    They’re about how people behave when status, admiration, and exclusivity share the same room.

    What fascinated me in The Menu is how quickly a dinner setting becomes a psychological stage. A small group of guests gathers around a table, each one carrying a different role: the critic, the enthusiast, the wealthy regulars, the observer trying to understand the rules of the experience.

    And slowly the evening begins to feel less like a meal and more like a performance.

    Status has a strange effect on human behavior.
    It makes people admire first and question later.

    The film quietly explores authority, group dynamics, and performative identity. When something is framed as exceptional or exclusive, people start adjusting themselves to the structure around them, sometimes without even realizing it.

    A Personal Reflection

    What I enjoyed most is the tension.

    Who is actually experiencing the moment, and who is simply playing the role expected of them?

    A fascinating watch if you enjoy films that observe people as carefully as they tell a story.

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  • The “Support Call” Glitch

    It happened again.

    I called customer service for a technical issue at my office. I explained that, as a psychologist, I needed it fixed immediately to do my job.

    Once the problem was solved, the conversation shifted. The person on the other end started sharing how much therapy had changed his life, how essential it is to have someone to talk to.

    And because of that, if you give me a tiny spark of a human story, I’ll turn it into a bonfire. We talked about anxiety that sparked even deeper, because I’m an anxious-avoidant, and I’m also secretly obsessed with the weight of people’s stories. I can’t help it. And subconsciously, I don’t think I want to.

    Today, for the first time, I felt this magnetic pull to share a moment like this here. I realized that maybe someone out there needs a story that feels like sitting down for a coffee or a tea together.

    If you’ve ever been “on hold” for 40 minutes, it’s probably because of people like me turning a resolved ticket into a deep conversation. My apologies. I worked in debt collection during my accounting days, I know the struggle.

    P.S. The image? It’s what my colleague sent me to lure me out for coffee right after the call.

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  • ABIGAIL vs. NOSFERATU (2024)

    ​The “Brain Cells” Battle: Abigail vs. Nosferatu (2024)
    ​I just had the weirdest cinematic 24 hours. Yesterday, I watched Abigail for the 3rd time. Today, I tried Nosferatu. One fed my brain; the other scattered it.

    We need to talk about the “Art Trap” and why some movies feel like a chore rather than an experience.

    ​The “Art” Trap (Nosferatu)

    ​I really wanted to keep Nosferatu for my rewatch list, but it’s one of those rare cases where I just couldn’t. From the jump, there’s a vibe of “I’m the Chosen One, I’m precious, and the rest of you are background noise.”

    The Masterclass in Fun (Abigail)

    ​Rewatching Abigail was a breath of fresh air. It doesn’t pretend to be a 19th-century painting. It’s sharp, bloody, and actually smart. It respects the viewer with rhythm, dark humor, and layers you keep discovering even on the 3rd watch.

    ​Presence vs. Performance

    ​Comparing these leads is fascinating:
    >​ Lily-Rose Depp (Nosferatu): I felt a profound detachment. It’s a performance of “preciousness” that creates a wall. It’s a blank slate that forces the viewer to do all the emotional heavy lifting. It’s mentally draining because there’s no authentic give-and-take.
    > ​Alisa Weir (Abigail): This is where the magic happens. Despite her age, she displays incredible emotional intelligence. She transitions from vulnerability to predatory power with such nuance that you can’t look away. She earns your attention; she doesn’t just demand it.​

    Conclusion:

    One film asks you to empty your mind to accept its “art.” The other fills your mind with layers, questions, and raw talent. As a viewer, I’ll always choose the performance that respects his audience and connects with my emotions.

    A Personal Reflection

    I admit I fell for the Bill Skarsgård trap because those clips on the internet of him are pure genius, but it turns out even his talent couldn’t save me from a movie that treats my brain cells like unwanted clutter.

    I can’t help but imagine Abigail playing with Ellen’s martyr complex, using her child-like innocence to trick her into a “noble” sacrifice, only to reveal the predator beneath. It’s the ultimate clash of performed vs. simulated vulnerability.

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  • The First Glitch

    Quietlings and Contraband Books

    I had a therapy session today that got canceled because the child who was supposed to come caught a cold.

    So suddenly I had time.

    Which is always dangerous.

    I started sketching these little creatures instead, using an app that my special person created only for me. I didn’t know exactly what they were yet, just something soft, a bit strange, somewhere between tired and comforted. I think I’ll name them Quietlings.

    And then I made the mistake of opening a website with old books. The kind that cost less than a cup of coffee. And I ordered twenty. Because apparently my self-control also took the day off.

    The truth is, I love rereading the same books over and over again. Not just once or twice, endlessly. Some stories feel like places I return to when I need to breathe.

    And old books… the smell of them is almost a drug to me. I open one and something in my nervous system just settles.

    The problem is… I’ve lost most of my books over the years. I kept lending them to people and never asking for them back. I always thought: if someone needs a book, they probably need it more than I do.

    However, I am officially forbidden from buying more books because we have no space left in the house. So my partner in crime did something very sweet and very inconvenient: this precious soul searched for digital versions of the books I lost.

    Which means that this person believes I am no longer buying physical books.

    I am now considering keeping the new ones at my office and smuggling one home per week like contraband.

    But I’m fairly sure “someone” will notice when I’m suddenly reading suspiciously unfamiliar books and I’ll end up sleeping on the couch FOR A WEEK.

    So at the moment I’m making an adjustable A4 book cover with velcro to hide what I’m reading.

    Therapy teaches many coping strategies.

    Apparently this is mine.

    Also I think this is how my Quietlings are born.

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